The Girls

Standing in Line at the Blank Slate Creamery

The lines get long but they move quickly, she says 
as we join the expectant tail 
and tongues wagging from door to street.
Bourbon Turtle” I say aloud,

not to anyone really,
but because Bourbon Turtle …
and it’s the greatest of all the commandments
scrawled on the tall black slate scroll

I’m nothing but another, the nameless next
come to lick from these holy vessels,
dropping all defenses and pretenses at this altar call.
Salted Chocolate Truffle

Stop saying everything out loud, she pleads in vain,
trying to contain her teenage embarrassment,
falling sad as a scoop on hot pavement
just before the ants come.

But her words can’t bruise my unadulterated, un-adulted joy
as everything melts — in front, behind, at the picnic tables,
even the demon voices in my head, haunting.
Take a number, I say, and surrender.

Vietnamese Cinnamon

I am nine and alive and summertime,
mesmerized by the lo-fi blare of Pop Goes the Weasel
waiting for the communion waffle cone from the Goody Man’s hand.
It, too, was a long line, and moved far too quickly. 

I fold my hands together over my nose and mouth, 
whisper so she can’t hear, but God still can
Browned Butter Cookie Dough
ascend the steps, raise my hand, step into the light …

As the bell rings, my angel beckons
I reach for a sample of Bourbon Turtle
just to taste it on my tongue.
But in my heart I’ve always known my true calling.

Peanut … Butter … Cone … Crackle

Amen.

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Letters for Maggie, The Girls

Speed Dating 25 ….

I figured we had about an hour’s drive to make our 7:15 reservations. 

I had the car out of the garage and air-condition-cooling by 6 p.m. 

Married twenty-five years, she knows how much I hate to be late. 

I hold the car door and she lowers herself into her seat … at promptly 6:35 p.m. 

Married twenty-five years, I know she’s never ready on time. 

She: Wait a minute. Forgot my cheaters. Can’t read the menu without ‘em. 

I get back out to hold the door a second time, and give the bridge of my nose a deep tissue massage until she returns and floats once again into her seat. 

As we pull out of the driveway, we Google Map our drive to check traffic. 

ETA: 7:37 p.m. 

My chest tightens. 

“Don’t drive like a maniac or you’ll make me sick.” 

Ah, the sweet nothings of anniversary date night. 

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Fathers and Sons, The Girls

Picture Day Redux – No Strings Attached

Mercifully (for me), this year, proceedings returned to their normal rhythms. Held at the respective studios. A two-day affair. Saturday = Waynesburg. Sunday = Washington. 

Last year quarantine forced the stay-at-home edition of Picture Day, whose gravity I was unable to escape. 

This year called for less desperate measures, leaving Karry and Emma to tag team this, their 12th edition of the annual amalgam of yelling, hair, make-up, costumes, and teenage angst. 

Preparations began weeks in advance. Came home one day to find Emma outside in the driveway with a pair of tap shoes and a can of neon pink spray paint. 

“Don’t ask,” was all she said. 

My Karry radar began ringing in my head. 

Me: You’re taking precautions, yes? 

She: I’m not making a mess if that’s what you’re asking. 

Emma has convinced herself that she rarely, if ever, makes messes. 

Her conviction is strong. She’d probably pass a lie detector. 

In truth — and I say this lovingly — she’s a disaster. 

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The Girls

Pluck

The girls are out for errands after going to church. Peter’s still sleeping. I’m alone at the dining room table, looking out through the screen door on a rainy Sunday morning. The poblano plant is finally starting to sprout. “Look at them … they are mutants!” Emma gushed when she went out to inspect earlier this morning. Until she said it, I hadn’t noticed. But they’re now the size of chubby toes, and have finally caught up to the jalapenos we’ve been enjoying the past couple weeks. 

The porch garden was foremost among Emma and Karry’s experiments this summer. My wife suppressed her pessimism born of past failed backyard garden attempts sabotaged by the gluttonous cemetery deer who, for years, have roamed and ravaged our neighborhood as expectant as tourists with lobster bibs. Her youth nourished by lush family gardens in the country, Karry fully indulged Emma’s initiative. As my wife is a resigned realist, I found her sanguine act significant. 

So they rimmed the perimeter of our porch with seeded planters of tomatoes, lettuce, green beans, jalapenos, poblanos and onions. Neighbored them with basil, oregano, spearmint, and cilantro. For months, Emma dutifully tended her little green village daily. The monitoring of progress has elicited from the girls consistent spasms of giddiness. I know this not from direct participation, but through the evening glee that wafts through the screen door back into the house. Admittedly, some subjects have fared better than others. But even the humblest of harvests have brought small joys.

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The Girls

Picture Day

So normally at this time of year, my wife and daughter spend a long, excruciating Saturday at the dance studio for Picture Day.  Typically — and gratefully — I orbit beyond the gravity of this black hole. From a distance I appreciate it to be a 10-hour, concentrated amalgam of hair, make-up, costume changes, drama, yelling, teen angst, pasted smiles, and despair. 

Saturday morning, my wife made a vague reference to “Picture Day,” and “Dad helping,” which I took in stride as my wife, the kidder, exercising her playful side. 

Had I thought deeply in the moment, I would’ve remembered that my wife (a.) is not a kidder, and (b.) has no appreciable playful side. 

Since the studio is shut down due to the pandemic, all photos have to be DIY.

So around noon, Karry informs me of the executional guardrails: all white background, no visible wall outlets, good lighting. 

 Our house is old, tiny, and meets NONE of the aforementioned criteria. As such, it offers few places for me to hide. So, before I know it, I’m push-pinning a sheet to the wall, moving the dining room table, and gazing through my son’s I-phone (best camera in the house) to see if we can frame a scene that approximates the guardrails while excluding the ‘tender clutter’ of our dining room. 

Full disclosure: I am in no way qualified for the task. The only reason I’m holding the camera is that (a.) Karry has to iron and steam 12 costumes, (b.) it’s the early afternoon, therefore my son is still in bed, and (c.) Emma has to be in the pictures. 

My daughter has been dancing for 11 years, during which I’ve watched from afar, apart. I’m a seat in a theater, participating only in a support role, loading bags and luggage, occasionally dropping off, picking up. I’ve watched every single one of her dances with a lump in my throat and a pit in my stomach … wanting her to kill it, recognizing I have no bearing on the outcome. It is she, alone, on stage, buoyed only by her genuine love for the craft, her discipline, countless hours of practice, a full heart, and her desire to simply do her very best. While I would love to believe that she’s My Girl on that stage, she is not. It’s hard for me to admit that, when I see the game face, the make-up, the costumes. She is herself. Strong. Confident. Prepared. And while I’m sure fear is somewhere in the equation, she’s never afraid. With hundreds of hours of practice under her belt, it’s merely a question of execution. 

Awes me every time. 

So, with the camera in my hand I establish three goals for myself, two obvious, one surreptitious. 

  1. Try not to displease my wife (the goal I roll out of bed every day with, and usually blow before exiting the breakfast table). 
  2. Keep a steady hand. 

My third goal is humble, and, admittedly, purely selfish. I just want to crack her game face. I want to see through the make-up, the costumes, the stage smile and catch a glimpse of … My Girl, the one I never get to see from my seat in the theater. 

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Fathers and Sons, The Girls

In a Sentimental Mood….

(For Auld Lang Syne)

Jan 2, 2017

Found myself at Starbucks with Em yesterday afternoon, warming my hands around a small Dark Roast, and my ears around her delightful ersatz British accent as we advanced a few pages deeper into the Half-Blood Prince. 

Though the establishment’s jazz soundtrack was narratively incongruent to the scenes Em read to life … temporally speaking, it was completely in sync. 

I paused Em’s recitation to Shazam the interpreters of In a Sentimental Mood, which had momentarily thieved my attention (Duke and ‘Trane, um, for the record). 

The familiar melody caught my ear. Used to play it — also as an instrumental, though admittedly more ersatz than even Em’s accent — when Dad and I shared the stage as part of Sammy Bill’s band. All those nights playing Sam’s big book has left me a lot of musical bread crumbs that lead me back to those good times. 

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