Excursions

The 12 Days of T-Shirts / Day 11: City Lights

Type “cathedral” into my brain’s large language model, you’ll get an image of 261 Columbus Avenue in San Francisco’s North Beach. 

This t-shirt unlocks so much for me … beginning and ending with the Pilgrimage.

Whenever work or friends would take me to San Francisco, I’d stay at the Hotel Rex on Sutter, which was part of Chip Conley’s Joie de Vivre collection of boutique hotels, each one inspired by a different magazine. The Rex was inspired by the New Yorker, and was designed to evoke San Fran’s literary salons of the 1920s and 30s.

Their lounge was The Library, all cushy chairs, reading lamps and the magical musty smell of old books (swoon).

Its atmosphere was cozily curated for unburdening … conducive to liberating one’s hands to alternate between a good book, a pen and paper, and a half-full glass of the house red.  

Make a left exiting the hotel, I’d walk the few blocks down to Bush, hang a left and climb its hill to the iconic Dragon’s Gate.

From there take a savoring stroll through North America’s oldest and largest Chinatown, a world unto itself. 

Keep walkin’ until I find North Beach. Make the right, slowing to a reverent saunter through Jack Kerouac Alley, pausing to bow and whisper read his pavement words etched in its center, “The air was soft the stars so fine the promise of every cobbled alley so great.”

And then, proof that alley promises come true: City Lights — Ferlinghetti’s fierce, tender, defiantly flickering eternal flame of a bookstore. 

Every single second I’ve spent walking amongst its stacks has been a replenishing.

The sound of one’s shoes creaking its old wooden floors while in slow-browse reverie? A poetry all its own. 

I love reading the staff’s hand-written recommendations slash love letters adorning the shelves as much as I do the books they hype.

The pleasure of stumbling upon treasure you didn’t even know to look for.

Going upstairs to the poetry room, where Ferlinghetti’s rocker — the ‘poet’s chair’ — still sits by the window in open invitation. 

Harvesting an armful of sustenance for the suitcase home.

Walking back to the Rex drunk on Kerouac’s soft air and fine stars, clutching my brown paper bag tightly as I imagine he did his.

 

Standard
Excursions

Treasure Hunting ….

I’ve spent exactly one day in London in my life.  It’s been a couple decades now. I was part of a group at my company attending a conference in Amsterdam (a story for another time).  We had to connect through London so ended up taking a day there before continuing on. I believe it was a Saturday. We spent the entire afternoon walking the city, and at some point happened upon an outside street fair.

I only remember two things from that afternoon.

One, an older man playing violin in the square. His hair long, gray and wild, his beard shaggy. Wore a white, long sleeved buttoned shirt, open at the chest and a little grimy, deep burgandy pants that billowed and made his long legs seem longer. He played with passion, his eyes wide when they weren’t closed in communion with his instrument. I took him for a regular, if uninvited, character of the grounds. He was both oblivious and superior to the townspeople and tourists milling about. He danced as he played, in essence commandeering the entire square as his performance space. I was bewitched by his power and presence. He said not a word, yet the square was his.

The only other thing I recall from the street fair was a vendor standing behind a few really long tables of used books. Being a provincial kid from Uniontown on my first trip abroad, I remember being drawn to something familiar in this otherwise exotic place. While my colleagues explored elsewhere, I lost myself rooting through the tables. After a bit, my eye caught something by Kurt Vonnegut. I didn’t recognize the title. It looked to be some sort of television screenplay. I immediately thought of my friend, Bill, who was absolutely mad for all things Kurt. I forked over a couple pounds, put the treasure in my coat pocket, and went to find my colleagues. 

When I got home, I wrapped up the book and sent it to Bill, along with a note of how I’d happened upon it. 

A week or so later, he wrote me back. Evidently, he’d heard of the screenplay, but it had long been out of circulation. It was the one piece of Vonnegut he’d never been able to track down. He was absolutely over the moon and profuse in his gratitude. 

Reading his thank you note was just the best feeling.  To this day, I count it among the best gifts I’ve ever given, everything about it pure serendipity.

Continue reading
Standard